Showing posts with label Concert. Show all posts
Showing posts with label Concert. Show all posts

Monday, January 21, 2013

FEB. 16th - Date Nite, Warbler, Eliquate, & Worth




Milk Bar and Mac Walker Present: All night live music and dance party with Date Nite, Warbler, Eliquate, and Worth


Audio/ visual dance pop



Dependie folk



Indie hip-hop



Bohemian blues-hop

Saturday, February 16th - MILK Bar(San Francisco)

(21+)($TBA)(9:00PM)(Facebook)(Website)

Friday, January 18, 2013

Salvador Santana + Eliquate Wednesday, February 20th



Salvador Santana + Eliquate

Appearing Live at Moes Alley
Wednesday, February 20th
Live Hip Hop & Funk featuring Carlos Santana's son Salvador Santana
8:30 PM, Doors Open 8:00 PM, $9/12,

Buy Tickets for this Event.
Moe's Alley welcomes back Salvador Santana with his live band.  As Carlos Santana's son, Salvador has music in his veins and is earning a name for himself as a top notch vocalist, keyboardist & band leader with his own live band.   Rounding out the party is Santa Cruz's own Eliquate.

VIDEO: Salvador Santana "Into The Light"

Music is a burst of choices. Not only what note to play when and with what instrument, but whether to play a note at all. Salvador Santana, the 28-year-old keyboardist, vocalist, composer and songwriter with strong Bay Area roots, knows what it means to navigate the infinite options of music.His 2008 project with the Salvador Santana Band–simply called SSB–pursued the scope of his ability. But for Santana, it wasn’t enough. He has no choice but to push himself further. Collaboration has always been the centerpiece of his creations and this passion manifested his solo debut Keyboard City (released February 2, 2011 via Various Music/Quannum Projects) around the inspirations of a few legends: Bay Area MC/producer Del the Funky Homosapien (who helped hone in Santana’s writing skills,) Beastie Boy studio wizard Money Mark and GZA of the Wu-Tang Clan.
GZA (the legendary founder of the Wu-Tang Clan,) rallied support around the album by featuring himself on a remix of the title track “Keyboard City” in 2009 which was later remixed by Dan Deacon. This spontaneous meeting of the minds demonstrated Sal’s magnetic ability to connect every kind of artist on any dynamic level. Money Mark inspired Santana in a beautiful way during the creation process.
“With all the people I’ve ever collaborated with or just working by myself, I have never produced such a range of ideas in my songs as
I did during the Money Mark sessions. That guy is just a machine,” said Santana. “He has mentored me by showing me that it’s cool to be all over the place. It’s cool to sit there and work on a song, then out of nowhere, interrupt that flow and work on another idea. To just go with it,” Santana elaborates. Santana is pushed by a need to step out of his
comfort zone in a quest for new ideas. Easy going and humble, Santana exudes the Bay Area vibe.
Salvador began playing the drums at age three–sitting on his father’s lap, controlling the snare and tom, as his father worked the hi-hat and kick drum–but his true love was discovered when he began taking piano lessons when he was six. Later, he studied at the heralded Ruth Asawa School of the Arts before attending Cal Arts in Valencia, CA. His education, passion and lineage have turned Santana into a monster on the keys.
salvador-santana-011

Music truly thrives in his veins. His maternal grandfather was blues pioneer Saunders King and his paternal grandfather was the internationally celebrated violinist and mariachi bandleader Jose Santana. And, of course, his father is 10X Grammy-winning Rock and Roll Hall of Famer Carlos Santana…who’s also a frequent collaborator (Salvador co-wrote “El Farol” from 1999’s smash album Supernatural.)But with his current solo project, Salvador Santana has truly become a brand of his own. He has spent the last nine months performing live at both venues and outdoor festivals throughout Northern and Southern California and will continue touring for the remainder of 2012.
At these shows, Salvador will be performing songs from his past projects as well as some of his new material including the songs “Mi Tesoro” and “Into The Light.” Both songs were co-written and produced by Barret Yeretsian and will be included on an Salvador’s upcoming EP. “Into The Light” has just been released to radio is accompanied by a video filmed in Los Angeles by Director Joseph Garner (Peter Nydrle Productions.) sal-santana-redwoods-201
“Mi Tesoro” (My Treasure) was inspired by Salvador Santana’s paternal grandmother, Josefina, whose photograph is the cover of the artwork for the single. “Mi Tesoro is what my grandmother would always call me when I’d come over to her house. The memory of that holds a special place in my heart, and I decided to create a song with the feelings that came with it. I had dedicated “El Farol” to my grandfather, and wanted to complete the circle and pay my respects to my grandmother by painting this musical picture of her as an influential figure in my life.”
In addition to his musical desires, Santana has worldly efforts on his mind. After a trip to South Africa and inspiring work with Artists for a New South Africa (ANSA), something triggered inside of Santana to make sure his music wasn’t only about personal glory. Now that the record is out and Salvador has been touring, he has posted various non-profit organizations on his website that will receive a percentage of the profits. “I want to use music in a positive way, and give back to people in need. There can never be enough people who do that.” And there can never be enough musicians pushing their art to the brink.



Wednesday, February 20th - Moe's Alley(Santa Cruz) 
(21+)($9/12)(8:00PM)(Facebook)(Website)

Thursday, October 27, 2011

Eliquate at The Joint in West LA...FRIDAY 10/28/2011


Eliquate got another Southern California Show added to their upcoming trip! The legendary West LA Reggae club, The Joint, has kindly opened their doors to let us take part in their Live Reggae Power Party, as the special guests of the night. This is part of their "Free Fridays" so no cover is needed.

The Joint

This Friday. 9/28.
10:30
Free
21+

It's Halloween Weekend so come out and have some fun with us in West LA. Costumes? I think so.



(Facebook)

Wednesday, October 12, 2011

Party Rock Cypher (MC Wordplay Birthday Celebration) - Oct. 22nd



We like birthdays. Birthdays are fun.
Eliquate will be headed to S.F. next Saturday, October 22nd, to take part in quite the birthday party. Our good friend MC Wordplay will be bringing his birthday celebration to Club Six for the Party Rock Cypher.

The night will also include...

Z-Man
Armani Cooper
The Midwest Coast
Priceless Da Roc
Wordup
Catalyst
Mandeep

with DJs Franky Fresh and J-Scrill

The night will be hosted by Esque Coast.

9:30pm
21+
$5 Guestlist until 10:30pm / $10 after
2 for 1 drink specials before 10:30pm

(FACEBOOK EVENT)

Sunday, October 2, 2011

Kenny Loggins? (The Burning Man Story)

So the boys from Eliquate and myself recently hit the road for a few days of rest, relaxation, and quality entertainment provided by rock icon Kenny Loggins. Jamie had arrived early in order to procure better seats leaving Dan, Cosmo, Elliot and I to find out way to and navigate the 278 miles between Santa Cruz and Reno Nevada. We learned the hard way that the Nevada Bad Lands doesn’t exactly have the best cell service. As we drove aimlessly through the desert we discovered that not all the roads in Nevada are paved (an unfortunate lesson at 70mph.) It wasn’t long before their roadside predicament was kindly assisted by a caravan of other fellow Loggins enthusiasts, pulling campers and rv’s bearing the symbol of a man with his hands in the air, what we assumed to be rocking out to “I’m Alright!”

The gang with Fuzz.

            After asking the caravan if they could help us find the show, they answered “follow us, this is the highway to the danger zone.” We knew we were in good shape. When we arrived at the concert I was blown away at how many people had shown up for the Loggins experience. We sat in line for 6 hours, and with each inch we were growing more and more anxious, particularly because this seemed to be the highest production show we have ever been prevue to. We finally arrived at the front gate and were greeted by two very enthusiastic ticket takers who welcomed us home and requested us to roll around in the dust, we obliged being that this was our first Loggins Concert. And entered the campgrounds covered in dust and giddy as children.

"Pass That" Jamie riding spy girl.

            In my life, I have seen some very impressive things, or at least I had thought. As we past by camp after camp of elaborate art structures, neon lights, and painted private parts it became very apparent that we were not in Kansas anymore. It was 12:30pm Monday night when we pulled into the spot reserved by Jamie and our saviors/ good friends Fuzz Patrol. As soon as the car stopped the doors were flung open and Elliot took off running down the road like a puppy with ADD, and quickly realized that with no cell phone, and no sense of direction, 60,000 people covered in blinking lights accompanied by hundreds of multistoried art cars blaring what sounded like a mixture of forks in a disposal, and a prehistoric lazer battle, can be a bit disorienting. Lucky for him Fuzz Parole had spared no expense in making their camp very easy to find, and the band members were all soon reacquainted, and ready to explore this wonderland of visceral experience and intangible expression.

A noble endeavor.

What felt like 20 minutes later the sun was rising and the reality of camp became focal. Sleep was brief as the mixture of an uncovered plastic tent and the Nevada Desert sun made an instant alarm clock that could not be avoided at roughly 7:45 am. Not unfamiliar with these types of performance circumstances, the boys from Eliquate were rested and ready for some adventure. They had been informed that they could play a show at the Center Camp if they so desired, and of course they agreed. Arriving at the show it had dawned on them that they had forgotten a very key piece to the live performance, drum set and amplifiers. So again lessons were learned as it was revealed that it is NOT, in fact, ok to dive a truck through the center of camp on unmarked roads. As Dan attempted to convince the officer that his truck was an ironic art car (a statement about non- conformity,) the crowd was growing impatient.

Live at Center Camp.

            With Jamie and Dan unavoidably detained, Cosmo and Elliot we’re forced to start the show without them. This however proved to be to their benefit as members of the band that played one set prior, Antioquia, joined the two for an epic improvisational performance only made more dramatic by the fashionably late arrival of the other two band members. From then on it was a good old fashion Eliquate show, well minus Tanner and our normal equipment, so in a way it really did feel like an OLD fashion Eliquate show. Never being a group to scorn the enthused feeling of playing a gritty show on shitty equipment and a pit of alkali dust, the group was revitalized and youthful and ready for the insanity that was sure to come. They finished the night with a one time only David Starfire Concert.

             After going to bed at reasonable hour, the gang saddled up and struck out to explore the city. It wasn’t long before the realities of the Nevada desert set in and hydration and shelter became a necessity. The first Mojito bar they stumbled upon happened to be a wise choice as the band that was booked to play at the time was minus one bass player. Cosmo, having capable hands, enthusiastically jumped on the opportunity to fill in, and the 4 of us sat and sipped mojitos in the shade, listening to our good friend proving to a group of fifty plus year olds that he was in fact drunk, and he did in fact know exactly what he was doing.


Fuzz Patrol At Large.


            Rounding off the day back at camp the crew got ready for their next performance endeavor. The idea was that they were going to be playing on a moving art car know as the Nautilus. (I feel like I should explain what an art car is to anyone who has never been a part of such a function that art car may be present. An art car is a car that is altered into a representation of the synapses of the creator, or rather whatever the fuck the driver wants to parade across the flat surface of the playa.) When the ship arrived, the boys and I were greeted by the friendliest crew this side of the seven seas, I mean like, REALLY friendly. The “venue” was the accordion pivot point of a double bus that was literally rotating every time the bus would make a turn. This however did not hinder the boy’s ability to rock out, nor the bus patrons need to get down. This created a bouncing effect that made the whole show seems all the more riotous, and the gang was dropped off feeling exhausted yet victorious. This marked their longest and most trying set to date, four hours of playing on an exhaust and dust filled moving vehicle, with a rotating crowd ranging from two to forty plus of brand new listeners. They were rewarded, however, by good friends, Jack Daniels, red bull, and another one time only David Starfire concert.

Eliquate Live with Antioquia, featuring dust.


            Though the mornings were brutal it was still nice to be up by a reasonable hour, and able to get lost in the chaos before lunchtime. I would spend more of this narrative describing to you some of the amazing sights and wonders the city had to offer but I am sure anyone who hasn’t been has a friend, or rather, a group of friends that will not hesitate to try to recreate the experience for you, weather provoked or not. And if you have been there my description would be useless because everyone sees things differently, and well, you have been there. So as cliché as it sounds and as much as a hate myself for writing this right now I guess the best I can say is, I guess you had to be there.

Lost in the dust, the gang stumbles on a sacred tribute to the king of movie soundtracks

The show Thursday night was yet again another new experience as they played to the open playa (also known as the esplanade) to a crowd that had no restriction to the angles or contortions they found their bodies making. Needless to say, it was a blast. The show culminated with Elliot leading a crowd into a dust circle, then the boys all joined the crowd for a group hug in true Kenny Loggins concert fashion, and sung the last la da da’s of Family Unit in unison. After their work was done it was off to Fractal Nation for a blessing from Beats Antique, with special guest… David Starfire.

a quiet night on the playa.

By Friday, the boys were beginning to feel the abuse they had done to their bodies, it was necessary to rest and get ready their final show of the week. Knowing they would have the next two days off, it was imperative that they gave every last ounce of effort they had left to make this show worthy of missing the David Starfire concert going on two camps down. It was also an important show because it was on our home turf, Fuzz Patrol, and in order to show their gratitude for their generosity, and fired up from watching a 100ft wooden horse get burned down by flaming arrows, they gave it everything they had. Turns out they had a little bit left as we struck out across the playa for yet another adventure. We had agreed we would be diligent about staying together as a group, and within fifteen steps we had lost Cosmo. I can’t honestly say I recall everything that happened to us that night, something about a giant moving boom box, people breathing fire, champagne bottles, and a twenty-foot high trampoline. However concern was growing as the sun was rising and there was still no sign of Cosmo. Dan assured us that we had nothing to worry about, any minute now Cosmo would come walking around the corner with a big grin on his face. Sure enough, no sooner then Dan had finished his sentence, Cosmo came sauntering around the corner, face covered in dust and a smile, hair pushed back by wind. As he sat and told us tails of pirate ships, and drinking contests with a dwarf dressed like a Sherpa, arm wrestling a guy he thought was bass nectar but turned out to just be David Starfire, and a giant penguin named pinky who told him the secrete to telekinesis, he resembled a wise old traveler from the grey he had accumulated due to the amount of dust that had culminated in his hair.

The Schnetz

Saturday was spent getting ready for the main event, Kenny Loggins. After a short bike ride to the center of city they were they came upon a massive statue of the man, rocking out to “I’m Alright,” awaiting its incineration. We sat in awe as the humungous structure spat flames hundreds of feet into the sky. An expression of mankind’s potential for utopia, and absolution of the guilt and evil we assume to be human nature. It was such a spectacle we didn’t even notice that we missed the Kenny Loggins concert. The rest of the night much resembled riding a rollercoaster through a super saiyan battle, wile the track lined the inside of a giant subwoofer, all infused with neon glow sticks… and David Starfire.
What initially started as a restful weekend, turned out to be one of the most profound and intriguing experiences of our lives. We can honesty say it was one of the realest experiences we have ever had, and when next year rolls around you will definitely find Eliquate rocking in the dust of the Nevada desert. Much thanks to Fuzz Patrol, MFC, and David Starfire for helping the week be what it was. And although we never ended up seeing Mr. Loggins, we can honestly say his concert was something no one should miss.  

 

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Monday, August 1, 2011

Eliquate 7/14/2011

Eliquate 7/14/2011 - Aerial 7 @ Clouds Downtown (Santa Cruz, Ca)




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