Sunday, February 24, 2013

Friday 3/1 Radical Something - Eliquate - Dewey and the Peoples

Come rock with us at the Catalyst on Friday March 1st!!

Tickets ON SALE NOW: http://rad.so/SantaCruzRadTix

Also Performing:
Eliquate - www.facebook.com/eliquate
Dewey and the Peoples - www.facebook.com/DeweyandthePeoples

More Tour Dates at: http://RadConcerts.com/

Join the RADSQUAD Street Team to help promote the show and get free stuff! http://rad.so/RadSquad

Pre-Show Meet & Greet will begin at 7:30pm
Meet & Greet Ticket Includes:
-One General Admission Concert Ticket
-Exclusive Pre-Show Meet & Greet with Radical Something
-Exclusive Signed Poster, Signed CD, & Stickers

Friday, March 1st - The Catalyst Club(Santa Cruz)
(21+)($10/$14)(8:00PM)(Facebook)(Website)

Monday, January 21, 2013

FEB. 16th - Date Nite, Warbler, Eliquate, & Worth




Milk Bar and Mac Walker Present: All night live music and dance party with Date Nite, Warbler, Eliquate, and Worth


Audio/ visual dance pop



Dependie folk



Indie hip-hop



Bohemian blues-hop

Saturday, February 16th - MILK Bar(San Francisco)

(21+)($TBA)(9:00PM)(Facebook)(Website)

Friday, January 18, 2013

Salvador Santana + Eliquate Wednesday, February 20th



Salvador Santana + Eliquate

Appearing Live at Moes Alley
Wednesday, February 20th
Live Hip Hop & Funk featuring Carlos Santana's son Salvador Santana
8:30 PM, Doors Open 8:00 PM, $9/12,

Buy Tickets for this Event.
Moe's Alley welcomes back Salvador Santana with his live band.  As Carlos Santana's son, Salvador has music in his veins and is earning a name for himself as a top notch vocalist, keyboardist & band leader with his own live band.   Rounding out the party is Santa Cruz's own Eliquate.

VIDEO: Salvador Santana "Into The Light"

Music is a burst of choices. Not only what note to play when and with what instrument, but whether to play a note at all. Salvador Santana, the 28-year-old keyboardist, vocalist, composer and songwriter with strong Bay Area roots, knows what it means to navigate the infinite options of music.His 2008 project with the Salvador Santana Band–simply called SSB–pursued the scope of his ability. But for Santana, it wasn’t enough. He has no choice but to push himself further. Collaboration has always been the centerpiece of his creations and this passion manifested his solo debut Keyboard City (released February 2, 2011 via Various Music/Quannum Projects) around the inspirations of a few legends: Bay Area MC/producer Del the Funky Homosapien (who helped hone in Santana’s writing skills,) Beastie Boy studio wizard Money Mark and GZA of the Wu-Tang Clan.
GZA (the legendary founder of the Wu-Tang Clan,) rallied support around the album by featuring himself on a remix of the title track “Keyboard City” in 2009 which was later remixed by Dan Deacon. This spontaneous meeting of the minds demonstrated Sal’s magnetic ability to connect every kind of artist on any dynamic level. Money Mark inspired Santana in a beautiful way during the creation process.
“With all the people I’ve ever collaborated with or just working by myself, I have never produced such a range of ideas in my songs as
I did during the Money Mark sessions. That guy is just a machine,” said Santana. “He has mentored me by showing me that it’s cool to be all over the place. It’s cool to sit there and work on a song, then out of nowhere, interrupt that flow and work on another idea. To just go with it,” Santana elaborates. Santana is pushed by a need to step out of his
comfort zone in a quest for new ideas. Easy going and humble, Santana exudes the Bay Area vibe.
Salvador began playing the drums at age three–sitting on his father’s lap, controlling the snare and tom, as his father worked the hi-hat and kick drum–but his true love was discovered when he began taking piano lessons when he was six. Later, he studied at the heralded Ruth Asawa School of the Arts before attending Cal Arts in Valencia, CA. His education, passion and lineage have turned Santana into a monster on the keys.
salvador-santana-011

Music truly thrives in his veins. His maternal grandfather was blues pioneer Saunders King and his paternal grandfather was the internationally celebrated violinist and mariachi bandleader Jose Santana. And, of course, his father is 10X Grammy-winning Rock and Roll Hall of Famer Carlos Santana…who’s also a frequent collaborator (Salvador co-wrote “El Farol” from 1999’s smash album Supernatural.)But with his current solo project, Salvador Santana has truly become a brand of his own. He has spent the last nine months performing live at both venues and outdoor festivals throughout Northern and Southern California and will continue touring for the remainder of 2012.
At these shows, Salvador will be performing songs from his past projects as well as some of his new material including the songs “Mi Tesoro” and “Into The Light.” Both songs were co-written and produced by Barret Yeretsian and will be included on an Salvador’s upcoming EP. “Into The Light” has just been released to radio is accompanied by a video filmed in Los Angeles by Director Joseph Garner (Peter Nydrle Productions.) sal-santana-redwoods-201
“Mi Tesoro” (My Treasure) was inspired by Salvador Santana’s paternal grandmother, Josefina, whose photograph is the cover of the artwork for the single. “Mi Tesoro is what my grandmother would always call me when I’d come over to her house. The memory of that holds a special place in my heart, and I decided to create a song with the feelings that came with it. I had dedicated “El Farol” to my grandfather, and wanted to complete the circle and pay my respects to my grandmother by painting this musical picture of her as an influential figure in my life.”
In addition to his musical desires, Santana has worldly efforts on his mind. After a trip to South Africa and inspiring work with Artists for a New South Africa (ANSA), something triggered inside of Santana to make sure his music wasn’t only about personal glory. Now that the record is out and Salvador has been touring, he has posted various non-profit organizations on his website that will receive a percentage of the profits. “I want to use music in a positive way, and give back to people in need. There can never be enough people who do that.” And there can never be enough musicians pushing their art to the brink.



Wednesday, February 20th - Moe's Alley(Santa Cruz) 
(21+)($9/12)(8:00PM)(Facebook)(Website)

Monday, January 7, 2013

the Mojo lounge presents ELIQUATE and neXusROCK



the Mojo lounge presents ELIQUATE and neXusROCK

Saturday, January 19, 2013 - 9:30pm until 1:30am

  • neXusROCK is playing a sick double bill in the east bay with Santa Cruz's hottest Rap Band, Eliquate. This will be one hell of a show so make sure you mark this down! Dancing and Grooving is required. JJ Jallah Keys is going back to Illinois after so this is your last chance to see neXusROCK in the next few months.

    Music starts at 9:30
    21+
    $5 at the door

    Saturday, January 19th - MOJO Lounge(Fremont)

    (21+)($5)(9:30PM)(Facebook)(Website)
*To help Donate to Eliquate please click on the Ads*

Sunday, January 6, 2013

Friday, January 25th: All City Elite, Eliquate and Four O'Clock Heroes rock the house at Neto's! Friends of Guests ·



Show info:


All Ages Show

Door $10

Advance tickets $8

Show date: Friday, January 25th

Doors open @ 8pm - show starts at 8:30pm


DreamSkape Entertainment in conjunction with Barb Rocks - presents

All City Elite 


with Eliquate from Santa Cruz 

& Four O'Clock Heroes

Friday, January 25th - Neto's Market (Santa Clara)
(All Ages)(8:00PM)($8/$10)(Facebook)(Website)
*To help Donate to Eliquate please click on the Ads*

Wednesday, December 19, 2012

GILMAN'S FIRST CONSCIOUS HIP-HOP NIGHT!


GILMAN'S FIRST CONSCIOUS HIP-HOP NIGHT!

DREGS ONE
http://www.facebook.com/DregsOne415?fref=ts

MULTIPLE ORGANISMS (The new evolution)
http://www.facebook.com/MultipleOrganisms?ref=ts&fref=ts

ORUKUSAKI (from Berkeley)
http://orukusaki.com/

ELIQUATE
http://www.facebook.com/eliquate

KURBIE
http://www.facebook.com/pages/Kurbie/251205808231994?fref=ts

PEN INCORPORATED
http://www.facebook.com/penincorporated

ALL-AGES
$ 8 cover
($2 annual membership fee)

ADD CONSCIOUS HIP-HOP @ GILMAN!
http://www.facebook.com/groups/434472703285645/



(8PM)($8)(Facebook)(Website)




*To help Donate to Eliquate please click on the Ads*
 

Sophistafunk + Eliquate - Wednesday, January 16th


Sophistafunk + Eliquate
Appearing Live at Moes Alley
Wednesday, January 16th
Live Funk & Hip-Hop
8:30 PM, Doors Open 8:00 PM, $7/10,

Buy Tickets for this Event.
Moe's Alley presents the Santa Cruz debut of SOPHISTAFUNK from New York.  Sophistafunk brings an infectious blend of live party funk and conscious live hip-hop.  Local favorites ELIQUATE round out this double bill making for a party not to be missed!

"Combining the vibes of funk music with the intensity of hip hop and spoken-word poetry, Syracuse-based group SOPHISTAFUNK specializes in cross-genre music. The three-man band features vocals from Jack Brown, drums by Emanuel Washington, and keyboard, bass, & backup vocals by Adam Gold." - Evan Johnson, The Ithacan

SOPHISTAFUNK met in 2007 and rapidly evolved into a national-touring live act. Known for their HUGE sound (created by only three members), the band has won over crowds with a captivating stage presence and tight musicianship. Rooted by old school funk / hip hop, the trio explores electronic dance grooves while infusing each tune with soul and positively charged lyrics. SOPHISTAFUNK is a multi-genre tour de force, jam packed with vintage tones and live instruments. Catch ONE show, and you will be hooked!

What people are saying:
"Syracuse’s SOPHISTAFUNK, who blended hip-hop, funk and rock flawlessly to create a sound very much their own, moved seamlessly between improvised jams on the keys, soul-filled choruses and blistering rapping... A remarkably proficient band of top notch musicians... a fantastic hip hop jazz band." - TJ Olsen, Beyond Race Magazine (New York City)

"SOPHISTAFUNK has a genre-destroying range of musical ability and mix of socially-conscious lyrics. Much of the trio’s set was spent rifling through thick instrumental funk, fluid vocals, soul crooning, metal, reggae and intricate interplay between Adam Gold’s four-keyboard setup and Emanuel Washington’s drums -- an infectious journey that left the full crowd gasping for air." - Dan Rys, The Daily Free Press (Boston)

"Syracuse's SOPHISTAFUNK, like the name implies, prefers its hip hop covered in a dripping later of funk. ...Between putting out an album, winning the 2009 Syracuse Big Break Contest, and opening for superstars like Fergie, it seems like the band is off to a great start." - Rob Sickelco, City News (Rochester)

"SOPHISTAFUNK has proved that they have the staying power to make an impact on our scene. Their full summer schedule includes a number of club shows and an alarming amount of festival performances. Be sure to catch them on the road this summer, you will not be disappointed... Who knew that merging the new school with the old school could be this much fun?" - Selena Hodom, The Groovelink Magazine

ABOUT ELIQUATE
“If all we have are dreams, then dream big,” spits Elliot Wright, frontman and philosopher for the five-piece, California Beat Rock troubadours, Eliquate, on their latest EP, Who The F*ck is Eliquate? Packing an arsenal of rhymes that range from satirical social commentary and inner-soul searching to all-out, shake-your-ass-‘til-the floor-is-wet jams, Eliquate’s music has been charging parties up and down the West Coast since 2009. In that time span, they’ve graced the stage with underground royalty such as Murs, Del the Funky Homosapien, Zion-I, and RJD2 just to name a few. But, who the f*ck is Eliquate anyway?

Unlike most MCs, Wright didn’t start writing until later in his life. His love for words pushed him to jot down more than just lyrics but meaningful messages for Wright’s peers to think about and connect with. The next piece of the puzzle would fall into place when a friend told him about a guy who was making beats that he might want to connect with. Wright met beat-maker and soon-to-be Eliquate guitarist, Jamie Schnetzler, one day as Schnetzler was eating some questionable-looking Chinese food. As Wright tells it, “I asked him if it was any good, he said, ‘yes.’ I tried it, it was, and I’ve trusted him ever since.”

The dream would continue to grow over the next year with the addition of bass-slappin’ sounds by Cosmo Stevens, the pounding beats of Dan Wells and Tanner Christiansen’s blend of samples and keyboard. In 2010 Eliquate released their first album, Arch Rhythm, perfecting their sound by tapping into a social consciousness greater than any of their individual selves. “We wanted it to be party music with a purpose,” claims Schnetzler.

Drawing influence from all musical styles, the creative quintet build an energetic, live performance that is second to none. On any given night, Eliquate will break from convention and bust into an improvised jam with Wright free-styling on the mic to every audience’s amusement. That’s where Eliquate’s real power lies: they’ll hook anyone on the dance floor with their passionate melodies and create fans with their ingenuity and insightful lyrics.

So, who the f*ck is Eliquate? Well, now you know. They are a powerful mix of music and message currently rocking down doors on their Northwest Tour. But the final question remains: what does the future hold for our gang of intellectual deviants? Two words: dream big.


(21+)(8:30PM)($7/$10)(Facebook)(Website)
*To help Donate to Eliquate please click on the Ads*

Monday, November 26, 2012

Tour Recap: Eliquate - The Day Job Tour Oct. 9th - Oct. 20th

A Story of a Northwest Tour    
The first thing you have to expect when going on tour is that the bus is going to smell bad. Though you can try to mask this smell with air fresheners, sprays, and pot smoke; there is no repellent from the conjured odor of seven men on a bus. I speak, of course, in generalities. I don’t know what its like for other bands when they tour; because, frankly I have never been on tour with any other band. In fact, none of us have. So for us (the respective members of eliquate) to say that this is what tour is like is really another way of saying this is what tour was like for eliquate. That being said, I think it is important to distinguish that we (Eliquate) don’t do things like most bands. We run this band very much like a kid who discovered how the gas pedal works, before he learned how to drive.

Yet despite our best efforts at self sabotage, we always seem to land on our feet. This is because failure has never been in our vocabulary, and remains as obscure a concept as say, giving up, or backing down. As cliche as it sounds, we would just as soon die than give up, on anything... ever. However, one thing that I find remarkable is that it has become undeniable that we are getting better at this. On our first tour of the Pacific Northwest, we left with no home to come back to, and a bus that barely made it 10 feet before it attempted to off itself. This bus was filled with stuff that had more business in a storage unit or a dumpster then on a three week tour. Our next tour, same story, homeless upon arrival “home,” same deadbeat tour bus.

We were then forced to humbly admit that Carla Malone had met her match, and that touring was going to have to consist of a caravan of cars and Dan’s pick up truck until we could save enough money to purchase another bus, preferably one that wasn’t going to break down every thirty seconds. After some fancy footwork, we were able to procure Carl Malone, a top of the line International diesel school bus with a huge Aztec calendar airbrushed on the side. This coupled with the fact that we were all comfortably residing in a consistent living situation at “home,” eliquate was more ready for this tour than anything we have done in the past. However, despite all our preparation, the weeks leading up to the tour were hectic to say the least. We  even ended up staying awake the final three days before departure tying together all the details.  

Which bring me to another important fact, we (Eliquate) do everything ourselves. From construction of the bunks on the bus, to rewiring of the dashboard, to booking dates, to mailing our promo material, we do it all. Though not all the members actually play music, eliquate is a seven man operation and every member contributes to be as hard headed and un-discourageable as possible. Another thing that sets us apart from a lot of touring bands is that for the most part they are going to play for already established fans.

When we go out on the road we treat it as if no one knows who we are (which is more often the case), but we are not going to give them a choice but to find out who we are.

Honestly, to say it was our pleasure to live like gypsies and tour this great land would be a horrific understatement, it was our honor. Not just because we got to spend nights partying with the Washington State Cougars, or cyphering till the sun came up outside the 2 Bit Saloon in Seattle (big ups to The Knowgooders, Kelly Castle Scott, and The Nightcappers. and Thad Wenatchee for making it happen) Or basking in a warm Oregonian hot spring with 6 of your best friends. It was mostly because we were able to give back. In Point Arena we played a fundraiser for the Grace Project : Our good friends Dysphunctional Species, have a wonderful cause they call the Grace Project. They host events that bring Autism awareness to those in the Humboldt County and surrounding areas. The whole town showed up to The 215 (Main) and we were able to raise a good amount of money. Not only that but they came to party, like par-tay! Playing shows is always the most fun we could be having, and to know that our fun helped contribute to a good cause automatically validates every bit of effort we have ever invested, and makes any discomfort we have ever endured seem so trivial that it is hardly worth mentioning.  

Riding that high we entered Chico. We had never played in Chico before so we made up for it by playing three shows in one day. Again, cyphering till the sun came up. This all served as a good warm up for the reason we were there, to play Splatterfest with Del the Funky Homosapien. However, there was a misunderstanding about permits or something and the show got shut down before we were able to actually able to hit the stage. Our sentiments were equally matched by that of the crowd, but being the kind of band that never takes a shitty situation as anything more than encouragement to triumph over adversity, we grabbed the acoustic gear and headed for the middle of the compound. After crashing someone’s campsite we played to a growing and captive audience of previously disappointed and disenchanted festival goers who did not get to enjoy the show they were promised. It all culminated with a crowd of about 60 singing ‘Just a Friend’ at the top of our lungs, dancing and celebrating in the stead of lamenting and sleeping. A lot of people spent a lot of money for a show they didn’t get to see, and to be able to bring people together in a shitty situation is another significant perk of what we do. We then returned to Downtown Chico, where Common Culture Clothing hosted us at Lost on Main for an insanely fun last minute show. Those folks sure do know how to have a good time.

After that we pressed on home where it was back to the real world. Exhausted and hungry we couldn’t help but feel a bit anxious about when our next departure would be. Sure enough we began planning that trip the day after we got back. It may not be the most glamorous or impressive way of going about things, but its our way, and its getting really exciting, no matter how bad it smells.    

Oct. 12th - WSU - Pullman, WA / Oct. 13th - 2BITSALOON - Seattle, WA / Oct. 15th - The Ash Street Saloon - Portland, OR / Oct. 17th - 215 Main - Point Arena, CA / Oct. 18th - TRUCKER - Chico, CA / Oct. 19th - SPLATTER FESTIVAL - Chico, CA / Oct. 20th Lost on Main - Chico, CA

*To help Donate to Eliquate please click on the Ads*